writings

Three or Four Irrelevant Stories: Art and Hyper-politics, Konstfack Collection, 2021

Accessing Utopia

Professor Balthazar and a Monument to the Invisible Citizen

The Life of an Itinerant through a pinhole

VIS, Editorial Board

https://www.en.visjournal.nu

“Contemporary Ar(t)chaeology”, Journal for Nordic Artistic Research

https://www.en.visjournal.nu/journal/115

Brieftopia, Nordic Journal for Artistic Research

https://www.en.visjournal.nu/journal/124

Sarazad.art, Editorial Board and Co-founder

https://sarazad.art/en

12+3 days of writing. Mowing the Grass: The Epistemic Violence and the Enemy of My Enemy, postcolonialpolitics.org, July 2025    

https://postcolonialpolitics.org/12-3-days-of-writing-mowing-the-grass-the-epistemic-violence-and-the-enemy-of-my-enemy

Dazed MENA interview about Noori’s latest exhibition, colonial memory, prosopagnosia, and the enduring power of photography

Seascape of Imagination, Noiin Megazine, Helsinki 2023

https://no-niin.com/issue-23/seascape-of-imagination/index.html

A funambulist: Unearthing the narratives of Karachi’s colonial and national formation, Iaspis, Stockholm, Sweden

A funambulist: Unearthing the narratives of Karachi’s colonial and national (postcolonial) formation

On the Dermis of Body, X-Ray of revolution edited by Shahram Khosravi

Once upon a time, there was a monument, Filed, A Journal of Socially Engaged Art Criticism, Spring 2022.

On Top of the Mountain: Once Upon a Time there was a Monument

Unconscious Colonial Memory, GSG magazine, Colonialism today, edited by Iva Kovač and Sanja Horvatinčić (In English and Serbo-Croat)

https://www.artseverywhere.ca/wp-content/uploads/2022/07/GSG-3_ArtsEverywhere.pdf

A monument to the invisible citizen, Public Journal, Canada

61. Currencies of Hospitality

The Life of an Itinerant through a Pinhole, Journal for Artistic Research (VIS)

https://www.en.visjournal.nu/the-life-of-an-itinerant-through-a-pinhole

In the art of necromancy

Conversation with Edgar Schmitz

https://rosechoreographicschool.com/publications/episode-six-behzad-khosravi-noori-and-edgar-schmitz

This conversation was recorded in a studio in central London. Edgar and Behzad reflect on their joint interest in the art of necromancy as a metaphorical and methodological tool to reinterpret history.  They discuss Behzad’s films on this topic and explore themes like the political distribution of the sensible, decolonisation, the incompleteness of history, and the labour involved in memorialising the past. 

The Black Eyes of Bruce Lee